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An audience filled with children and parents who payed to see the family-friendly Finding Dory at a California theater were petrified when the red band trailer for the Seth Rogen and Evan Goldberg animated comedy Sausage Party was mistakenly screened. For those who haven’t seen the trailer, it starts off like any other kiddie movie, only to tonally adjust halfway through to an R-rated, profanity laden slasher film… all involving animated food. Sausage Party is set to release on August 12, and is R-rated for strong crude sexual content, pervasive language, and drug use – the standard for a Seth Rogen movie.
Walter Eichinger, vice president of Brenden Concord theaters, publicly apologized for the error:
“Playing that trailer was a one-time, honest mistake by a theatre manager moving screens around in an effort to accommodate several large, last-minute groups wanting to see Dory.”
He further validated the mistake by adding:
“We fully realize this trailer is not appropriate for Dory and we would never schedule something like that. The trailer for Sausage Party is not and never has been scheduled with Dory.”
Seth Rogen responded by tweeting that this news “made my day.”
This made my day: "Concord Movie Theatre Apologizes for Showing “Sausage Party” Trailer for “Finding Dory” Crowd" https://t.co/eMGz8gMtg0
— Seth Rogen (@Sethrogen) June 29, 2016
Here’s the official Red Band trailer that played before Finding Dory:
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“RED PLANET” Chapter One New Lanterns Jessica Cruz and Simon Baz promised to protect others in brightest day or blackest night, but as “Red Planet” begins to rise, the partners find themselves confronted with an unimaginable threat from Bleez and the Red Lanterns! THEY SAID IT: “I am psyched for GREEN LANTERNS!” says writer Sam Humphries. “Myself, Simon, and Jessica are all new to the DC Universe. We’re gonna have a blast exploring it—if we don’t destroy it first.” |
The clock is ticking ... the deadline to pre-order Comic-Con 2016 T-shirts and merchandise is next Wednesday, July 6 at noon Pacific time! Pre-order now to lock in that shirt, size and style that you want!
In Sully, the bizzaro-world sequel to Captain Phillips (totally kidding), Tom Hanks will be portraying Captain Chesley Sullenberger, the man who executed an emergency landing of US Airways Flight 1549 in the Hudson River back in 2009. The story will be based on the biography Highest Duty: My Search for What Really Matters. The film is directed and co-produced by Clint Eastwood. The film stars Hanks (Inferno, The Terminal) as Captain Sully, Aaron Eckhart (The Dark Knight, Thank You For Smoking) as Jeff Skiles, Laura Linney (Mr. Holmes, The Truman Show) as Lorraine Sullenberger and Anna Gunn (Breaking Bad, Red State) as Dr. Elizabeth Davis. The film will be released in theaters and IMAX on September 9, 2016.
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DARK JEM PART—concludes! PIZZAZZ rejoins THE MISFITS in time to confront looming threat of Silica. But it will take everyone working together—and performing together—in one SUPER SHOW to stop Silica and The Sickness’s spread once and for all. |
By: Ashley Binion (@ashleybinion)
“There are many endings. Today is one of them.”
During 12 Monkeys’ latest episode “Resurrection,” there were indeed two endings and at least one beginning.
Warning: Spoilers ahead.
Goodness, “Resurrection” was perfect on so many levels. If I didn’t know any better, I would have thought this episode was the season finale. There were twists, deaths, questions answered, and meaningful character interactions.
For a few episodes now, tension has been mounting between Team Time Travel. Ever since Sam’s “death” and Cassandra’s “possession” by The Witness, Ramse and the doctor have been on a mission to destroy The Witness. This was the episode where everything came crashing down on Team Time Travel and it was glorious to watch.
These characters are not the same ones we met at the beginning of the season, let alone the beginning of the series. They have all changed. Circumstances have led to each main character being beaten down. As a result, they are in the process of transforming both emotionally and morally. Because of these transformations, their motives for their actions have changed, creating conflict. On 12 Monkeys, nothing is black and white anymore. It’s shades of grey. This is what every show should strive for: creating complex and transformative characters.
There were so many great emotional moments in the episode, but I want to touch on few of them. First, the confrontation scene between Ramse and Cole was fantastic. When Cole told Ramse he thought they were family was so emotionally satisfying. They are family and you can tell it’s killing them to be on opposite sides. Next, the scene where Dr. Jones said goodbye to Hannah was such a full circle moment. Dr. Jones lost Hannah and now Hannah is the one losing her mother. It was heartbreaking. Watching Dr. Jones thank Cole for still believing in her was such a rare moment of emotional vulnerability between the two of them. It was terrific. Finally, the moment in the car between Ramse and Cassandra was pure perfection. The looks exchanged while the camera moved back and forth between the two faces said more than words could ever say.
Deacon, who has been criminally underused, was actually integrated into the plot this week. Not in the best possible way, but at least he was crucial for Cole’s plan to work. Instead of Cassandra returning to time travel, it would’ve been fun to see Deacon be Cole’s time travel buddy. For the most part he has been stuck on the sidelines, apparently pining over Cassandra.
What made his character so quirky and exciting was that he was a non-apologetic villain. He had an edge about him. The leader of the West 7 was a certifiable sociopath. In this episode, he even reinforced that by stating that he had sociopathic tendencies. Sure, he was drinking nude during that scene, but he still said it. I don’t know whether it was on accident or it was a choice the writers made but the character has lost his edge.
The two Jennifers scene was absolutely brilliant. Ever since seeing The Word of The Witness, the audience, as well as Jennifer, have known the date of her death, so we all knew it was happening soon. It was sad to watch how much regret Old Jennifer had about not going to Titan. The conversation had such a large effect on Jennifer that she changed her trajectory by taking The Daughters to Titan. It’s sad to see Old Jennifer go, but who knows what will change if Cole and Cassie are successful. I love that the writers brought back the possible paradox problem of two objects occupying the same space. I’ve written this before, but the 12 Monkeys writers excel at the little things.
ROIting: out of
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By Justin Jasso (@jjasso007)
Is it just me, or does it feel like a lot of animated cartoons and movies are now getting the live-action treatment? Teenage Mutant Ninja Turtles, Alice in Wonderland, Cinderella, and, more recently, The Jungle Book, all come to mind. The trend continues with the newest animated film to jump from the drawing board to flesh-and-blood with latest film from David Yates, The Legend of Tarzan.
It has been some years since Jane (Margot Robbie) first met Tarzan (Alexander Skarsgard) in the jungles of Africa. They are now married and live in London, where Tarzan, known by the name John Clayton III, is now a businessman. He is invited back to the Congo as a trade emissary by Dr. George Washington Williams (Samuel L. Jackson), a former military man. Unbeknownst to both men, this is really a plot to bring Tarzan back by the Belgian, Captain Rom (Christoph Waltz), who has a much darker agenda. Will Tarzan be able to find out the plot and save himself and the people of Africa, or will he remain a pawn in Rom’s plan?
Whatever perceptions you had about Tarzan should be thrown out the window, because this is not the Disney version. There is an underlying darker tone and much more violence, although at times it is subdued and, at other times, unrealistic. With his return to Africa and the jungles, Tarzan comes upon his old gorilla family and must fight the alpha male. A human fighting an alpha gorilla in hand-to-hand combat – yeah, you read it correctly. Now, realistically speaking, we know a human would be torn to shreds in this situation, teeth and nails flying everywhere. Yet, the way it plays out, that doesn’t happen (though the way it does turn out isn’t really believable either). Then, of course, we have to have a scene with Tarzan swinging from vines, crossing the jungle. Again, not realistic at all, but this is Tarzan and that is one of the things he was known for, so it had to be in there, for better or for worse. With the way Hollywood has gone these days in trying to bring a more realistic touch to films, it is nice to see an attempt like this pan out the way it does, minus the handful of unrealistic moments. The story is fresh and the CGI is on point, especially when it comes to the animals living in the jungles and on the African plains. There are also some beautiful shots of Africa which can bring on thoughts of wanderlust.
Where we, as the audience, really need to be sold is in the area of acting, and the talent here is more than adequate to deliver the story. However, Skarsgard’s portrayal of Tarzan almost feels one-note at times. He is generally seen with a scowl, interspersed here and there with a few scenes of anger and happiness mixed in. Perhaps this was a character choice Skarsgard made, but it doesn’t add much variety to the character. Tarzan comes across as all business, whether he’s in London or in Africa. Maybe he’s always just that focused on the task at hand to really enjoy life? Margot Robbie is absolutely perfect as Jane. She brings that bit of inquisitive, spunky fire we all remember from her and plays the part the exact way we’d envision Jane to be in the real world. Robbie is by far the best cast actor in the film. Sam Jackson’s character is more or less there as a catalyst to help the story along, playing the role of Tarzan’s right hand man once they get to Africa and unravel the plot at hand. He’s given the title of “Doctor,” but that’s really a stretch. And Christoph Waltz is another one-note character. Not that it is his fault, but, for narrative progression, it’s easier in this type of film when the bad guy isn’t too complex and we can let him just be bad and make problems for our protagonist to overcome. That’s unfortunate, though, as Waltz is an a~maz~ing actor and it really feels like his talents have gone to waste here. So sad…
While Tarzan isn’t a perfect film by any means, it is still enjoyable. The sass that Margot Robbie brings to Jane, along with some great cinematography, picturesque locations, and fun action sequences make it all the more worthwhile. Plus, taking a story known so well and expanding upon it here, having it take place once Tarzan is older and out of the jungle, puts a new spin on this classic story. Add in the fact that they tried to make it a more realistic story, minus some very unrealistic parts (we can give it a few leniencies here), it can be a fun time for most everyone. It may not be the Disney, family-oriented film some may hope, but more of a Disney for adults, had Disney been a part of the film.
Rating: 3.5 out of 5 stars
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Rick Grimes drives his police car to Atlanta where he hopes to find his wife and son. He was told that the government had setup safe zones in large cities after the dead came to life and starting killing. On the way the police car runs out of gas causing Rick to search for a new ride which he finds in a nearby farm. Now on horseback Rick continues to Atlanta and upon getting there finds himself surrounded by undead. While fighting a losing battle that had already killed the horse Rick is saved by a young man who leads him outside of the city. The young man tells Rick that the government failed to protect the people in the cities and most of the people were now undead. Rick discovers his wife and son at the camp the young man had taken him to. |